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  • Title Type - The type of title being recorded. Note that if you are cloning a publication, this field is not editable for existing content records. The options are:
    • SHORTFICTION. Any form of fiction other than a novel should be given this title type. A novel is defined as work of over 40,000 words; this cannot easily be determined by looking at a publication, so typically you should enter SHORTFICTION for anything you are not certain is a novel. Note that frequently a magazine will describe a story as a complete novel, even though it may be substantially below the 40,000 word mark. The description in the magazine should not be relied upon for this distinction. Some books contain fictional essays, purporting to be written by a character in the book, as introductions or afterwords. There is no "FICTIONAL ESSAY" title type, so you have to choose whether the title is better described as SHORTFICTION or ESSAY.
    • ANTHOLOGY and COLLECTION. These are rarely the correct type for a content title. If you create a new anthology or collection, an "ANTHOLOGY" or "COLLECTION" content record is automatically created by the ISFDB, but it is not displayed. However, if you are entering an omnibus, or a dos-a-dos book such as an Ace Double, which has an anthology or collection as one of the components, then you should create an anthology or collection title as well as entries for the constituent stories. The difference between an anthology and a collection is that a collection is by a single author; stories by that author in collaboration with other authors are permissible, but if there are any two stories in the book that are by different authors then it is an anthology.
    • EDITOR. This title type is created automatically for new Magazines/Fanzines and typically is not entered manually. The primary exception is when converting another type of publication, e.g. an Anthology, to a Magazine, in which case you will need to change the publication's "ANTHOLOGY" title to an "EDITOR" title.
    • ESSAY. Used for editorials, opinion pieces, and items such as "The Story Behind the Cover", "Next Issue", and letter columns. Occasionally the boundary between ESSAY and SHORTFICTION is blurred: for example, Fantastic Universe had a one page description of the cover in most issues. Some of these were formulated as if they were pages from stories; these are entered as SHORTFICTION. In other cases a brief framing paragraph at the end or beginning makes it clear that the text is discussing the cover, rather than intending to be a piece of fiction; these are entered as ESSAY. Some books contain fictional essays, purporting to written by a character in the book, as introductions or afterwords. There is no "FICTIONAL ESSAY" title type, so you can choose whether the title is better described as SHORTFICTION or ESSAY. Review columns and interviews are also entered as ESSAYs. If an interview column contains only one interview (as is usually the case), then the interview column does not need to be entered at all; instead, just enter the interview information in the Interview section. The details of what was reviewed, or who was interviewed, are recorded with REVIEW and INTERVIEW types, which are entered via the special Review and Interview sections described below. See also NONFICTION.
    • INTERIORART. There are three ways in which this can be used. First, if a single artist does all of the interior art for a book (e.g. Pauline Baynes for many of the "Narnia" editions), then a single content title, without a page number, is appropriate. If each story in a collection, anthology or magazine is illustrated by one artist, the artwork can be indexed with a single title for each artist and story. For example, the December 1956 issue of Infinity Science Fiction contains the story "My Sweetheart's the Man in the Moon" by Milton Lesser, which is illustrated by Stallman. The story starts on page 5 but the first piece of artwork is on page 9. In this case there is only one illustration for the story, but if there were multiple illustrations a single title would still suffice. The page number given is the page number of the start of the story in this case; the title is the title of the content item being illustrated. An alternate option is to enter the first page where artwork appears. Page 9 would also be acceptable in the above case. It is also acceptable (but not required) to enter all pages where multiple artwork appears in a story. See Analog, January 1965 for an acceptable implementation. The multiple pieces of artwork should not be merged. If the illustration has a separate title or caption, document in the illustration's Notes field. The third way to use this title type is to capture illustrations that are not attached to individual stories, or to capture illustrations of stories which are illustrated by multiple artists (a rare situation). In these cases each title indicates a specific illustration, and the page number is the page number of the illustration itself. If an illustration is independent of other content, and has no apparent title or caption, give it the title of the publication in which it appears, disambiguating if necessary.
      • Maps. These are considered interior art for ISFDB purposes and are typed as INTERIORART. The format for titling maps is "Title of Work (map)", for example: Brightness Reef (map). Optionally, if a map is titled you can use the stated title of the map without appending the name of the work, for example The Land of Nehwon (map).
      • Rules for including artwork. If artwork illustrates a particular story, it should be included. If it does not, but is a significant piece of artwork, or is signed by or credited to a well known sf artist, then it should be included. If an article is illustrated with diagrams, or with photographs, these do not need to be included; they are not "artwork" in the sense that we are indexing.
      • Cartoons. Credited cartoons are always included. Uncredited full-page cartoons in digest magazines of at least 1/3 page cartoons in pulp and bedsheet size magazines are always included. The title should be "Cartoon: " followed by the caption, in the original case, between quotation marks. If there is no caption the words "no caption" should be used without quotation marks. See Dream World, February 1957 for examples.
    • INTERVIEW. Generally you do not need to use this type; use the special interview details section lower down the editing page.
    • NONFICTION. Generally not used for content, since it refers to book length works. This might occur as an element of an omnibus.
    • NOVEL. Used for a fiction piece of more than 40,000 words. As noted above, under SHORTFICTION, you should generally ignore any statements made in magazines about something being a novel; this statement is often made about much shorter works. If you know something has been independently published as a novel, it is safe to mark it as a novel when you see it as a content element in a larger publication. For Ace Doubles, each content title will typically be a NOVEL, rather than SHORTFICTION, unless one of the constituent works is itself an anthology or a collection.
    • OMNIBUS. Do not use; the omnibus content type is created automatically by the ISFDB when an omnibus publication is entered. It is not displayed with the publication and never needs to be entered manually.
    • POEM. Self-explanatory.
    • REVIEW. Generally you do not need to use this type; use the special review details section lower down the editing page.
    • SERIAL. Use for a title that would otherwise be either SHORTFICTION or NOVEL, but which is being serialized in a magazine, a fanzine or a series of chapbooks. Also use when a novel length work (40,000+ words) is printed as a single installment in a magazine or fanzine issue. Note that all newly added SERIAL titles need to be turned into variants once the original submission has been approved -- see Help:How to connect serials to titles for instructions.