Difference between revisions of "ISFDB:Data Consistency/Non-genre Mismatches"

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m
(2008-04-06 update)
Line 6: Line 6:
 
! Fixed?
 
! Fixed?
  
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?181585 1st to Die]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?82789 El Primero En Morir]
 
−
|NONFICTION
 
−
|FIXED
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?181583 3rd Degree]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?82790 Tercer Grado]
 
−
|NONFICTION
 
−
|FIXED
 
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65445 A Deep Hole (crime genre short story)]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65445 A Deep Hole (crime genre short story)]
Line 23: Line 11:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
−
|[http://www.isfdb.org/cgi-bin/title.cgi?516521 A Fine and Private Place]
+
|[http://www.isfdb.org/cgi-bin/title.cgi?39387 A Humble Romance and Other Stories (non-genre collection)]
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?177637 A Fine and Private Place/The Madman Theory]
 
−
|OMNIBUS
 
−
|OK
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?39387 A Humble Romance and Other Stories]
 
 
|NONGENRE
 
|NONGENRE
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?741 A Humble Romance and Other Stories]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?741 A Humble Romance and Other Stories]
 
|COLLECTION
 
|COLLECTION
−
|OK
+
|
 
|-
 
|-
−
|[http://www.isfdb.org/cgi-bin/title.cgi?39388 A New England Nun and Other Stories]
+
|[http://www.isfdb.org/cgi-bin/title.cgi?39388 A New England Nun and Other Stories (non-genre collection)]
 
|NONGENRE
 
|NONGENRE
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?930 A New England Nun and Other Stories]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?930 A New England Nun and Other Stories]
 
|COLLECTION
 
|COLLECTION
−
|OK
+
|
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?188864 A Room to Die In]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?177645 The Copper Frame/A Room to Die In]
 
−
|OMNIBUS
 
−
|OK
 
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65439 And She Laughed (crime genre short story)]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65439 And She Laughed (crime genre short story)]
Line 53: Line 29:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65442 Angel's Day (crime genre short story)]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65442 Angel's Day (crime genre short story)]
Line 59: Line 35:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?37473 Atlantis: Three Tales]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?37473 Atlantis: Three Tales]
Line 83: Line 59:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?37005 Brother Monster]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?37005 Brother Monster]
Line 95: Line 71:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?5820 By the Gun]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?5820 By the Gun]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?181610 Cat & Mouse]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?82770 El Gato y El Raton]
 
−
|NONFICTION
 
 
|
 
|
 
|-
 
|-
Line 107: Line 77:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65440 Cormorants (crime genre short story)]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65440 Cormorants (crime genre short story)]
 
|NONGENRE
 
|NONGENRE
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
−
|ANTHOLOGY
 
−
|OK
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?74918 Dead on Arrival (SHORTFICTION)]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?18528 Invitation to Murder]
 
 
|ANTHOLOGY
 
|ANTHOLOGY
 
|
 
|
Line 137: Line 101:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?273821 Full Time Nurse]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?109981 Have Trenchcoat -- Will Travel]
 
−
|COLLECTION
 
 
|
 
|
 
|-
 
|-
Line 161: Line 119:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?231213 Gentleman Junkie and Other Stories of the Hung-Up Generation]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?231213 Gentleman Junkie and Other Stories of the Hung-Up Generation]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?788865 Hand Reared Boy]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?41642 The Horatio Stubbs Saga]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-
Line 178: Line 130:
 
|NONGENRE
 
|NONGENRE
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?94721 Haunts and By-Paths and Other Poems]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?94721 Haunts and By-Paths and Other Poems]
−
|COLLECTION
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?273791 Have Trenchcoat -- Will Travel]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?109981 Have Trenchcoat -- Will Travel]
 
 
|COLLECTION
 
|COLLECTION
 
|
 
|
Line 191: Line 137:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?17226 Homicide Sanitarium]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?17226 Homicide Sanitarium]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?699405 Kipps]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?217697 Kipps & The Research Magnificent]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?181582 Kiss the Girls]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?82712 Besos que matan]
 
−
|NONFICTION
 
 
|
 
|
 
|-
 
|-
Line 209: Line 143:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?699429 Love and Mr. Lewisham]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?217705 Love and Mr. Lewisham & Marriage]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-
Line 226: Line 154:
 
|NONGENRE
 
|NONGENRE
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?22974 Mostly Murder]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?22974 Mostly Murder]
−
|COLLECTION
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?273801 Motorsickle Cop]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?109981 Have Trenchcoat -- Will Travel]
 
−
|COLLECTION
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?273811 Nester of the Caramints]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?109981 Have Trenchcoat -- Will Travel]
 
 
|COLLECTION
 
|COLLECTION
 
|
 
|
Line 263: Line 179:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?227829 No Doors, No Windows]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?227829 No Doors, No Windows]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?96633 Nothing Short of Highway Robbery (SHORTFICTION)]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?1861 AHP: The Master's Choice]
 
−
|ANTHOLOGY
 
 
|
 
|
 
|-
 
|-
Line 275: Line 185:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65443 Of Mice, Men and Two Woman (crime genre short story)]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?65443 Of Mice, Men and Two Woman (crime genre short story)]
Line 281: Line 191:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?197142 One Deadly Dawn]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?88940 The Hired Target / One Deadly Dawn]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-
Line 305: Line 209:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?561157 Private Eye Action As You Like It]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?561157 Private Eye Action As You Like It]
Line 317: Line 221:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?37004 Red is the Hue of Hell]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?37004 Red is the Hue of Hell]
Line 329: Line 233:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?16479 Ring of Fear]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?51243 Three Women]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?788873 Rude Awakening]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?41642 The Horatio Stubbs Saga]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?181659 Sam's Letters to Jennifer]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?82783 Confesiones Junto Al Lago/ Sam's Letters to Jennifer]
 
−
|NONFICTION
 
 
|
 
|
 
|-
 
|-
Line 353: Line 239:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
+
|
 
|-
 
|-
 
|[http://www.isfdb.org/cgi-bin/title.cgi?37010 Selling Death Short]
 
|[http://www.isfdb.org/cgi-bin/title.cgi?37010 Selling Death Short]
Line 371: Line 257:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?30451 Silence and Other Stories]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?30451 Silence and Other Stories]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?788869 Soldier Erect]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?41642 The Horatio Stubbs Saga]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-
Line 383: Line 263:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?88902 Songs of Love and Empire]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?88902 Songs of Love and Empire]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?8978 Spider Kiss]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?11961 Edgeworks 2]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?8978 Spider Kiss]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?209181 Edgeworks 2]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?341711 The Arabian Nights Murder]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?126411 Three Detective Novels]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?802149 The Baku (A Play)]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?244313 The Baku: Tales of the Nuclear Age]
 
−
|COLLECTION
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?181595 The Beach House]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?82784 La Casa De La Playa/ The Beach House]
 
−
|NONFICTION
 
 
|
 
|
 
|-
 
|-
Line 419: Line 269:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?36791 The Case of the Dancing Sandwiches]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?36791 The Case of the Dancing Sandwiches]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?110660 The Chinese Agent]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?187089 Jerry Cornell's Comic Capers]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?516537 The Copper Frame]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?177645 The Copper Frame/A Room to Die In]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-
Line 467: Line 305:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?40586 The Gibbering Night]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?40586 The Gibbering Night]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?31650 The Great Train Robbery]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?190485 Three Complete Novels]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?31650 The Great Train Robbery]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?190489 Three Complete Novels]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?197141 The Hired Target]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?88940 The Hired Target / One Deadly Dawn]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?699393 The History of Mr. Polly]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?217693 The History of Mr. Polly & The War in the Air]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?9603 The Judas Goat]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?8366 Cry Plague! / The Judas Goat]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-
Line 509: Line 317:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?42397 The Key Word and Other Mysteries]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?42397 The Key Word and Other Mysteries]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?16482 The Kilternan Legacy]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?51243 Three Women]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-
Line 521: Line 323:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?20573 London Noir]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|OK
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?188865 The Madman Theory]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?177637 A Fine and Private Place/The Madman Theory]
 
−
|OMNIBUS
 
−
|OK
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?8969 The Male Response]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?5442 Brian Aldiss Omnibus 2]
 
−
|COLLECTION
 
 
|
 
|
 
|-
 
|-
Line 539: Line 329:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?43700 The Mammoth Book of New Erotica]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?43700 The Mammoth Book of New Erotica]
 
|ANTHOLOGY
 
|ANTHOLOGY
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?194340 The Mark of Merlin]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?51243 Three Women]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?587693 The Night People]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?155 3 by Finney]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?826684 The Oakdale Affair]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?249428 The Oakdale Affair / The Rider]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?826684 The Oakdale Affair]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?249429 The Oakdale Affair / The Rider]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-
Line 569: Line 335:
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?45296 The Pickled Punks]
 
|[http://www.isfdb.org/cgi-bin/pl.cgi?45296 The Pickled Punks]
 
|COLLECTION
 
|COLLECTION
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?341731 The Problem of the Wire Cage]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?126411 Three Detective Novels]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?32117 The Reefs of Taprobane]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?114391 The Reefs of Taprobane]
 
−
|NONFICTION
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?180304 The Research Magnificent]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?217697 Kipps & The Research Magnificent]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?26777 The Rider]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?249428 The Oakdale Affair / The Rider]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?26777 The Rider]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?249429 The Oakdale Affair / The Rider]
 
−
|OMNIBUS
 
−
|
 
−
|-
 
−
|[http://www.isfdb.org/cgi-bin/title.cgi?570913 The Russian Intelligence]
 
−
|NONGENRE
 
−
|[http://www.isfdb.org/cgi-bin/pl.cgi?187089 Jerry Cornell's Comic Capers]
 
−
|OMNIBUS
 
 
|
 
|
 
|-
 
|-

Revision as of 04:22, 10 April 2008

Title Title Type Publication Publication Type Fixed?
A Deep Hole (crime genre short story) NONGENRE London Noir ANTHOLOGY
A Humble Romance and Other Stories (non-genre collection) NONGENRE A Humble Romance and Other Stories COLLECTION
A New England Nun and Other Stories (non-genre collection) NONGENRE A New England Nun and Other Stories COLLECTION
And She Laughed (crime genre short story) NONGENRE London Noir ANTHOLOGY
Angel's Day (crime genre short story) NONGENRE London Noir ANTHOLOGY
Atlantis: Three Tales NONGENRE Atlantis: Three Tales COLLECTION
Atlantis: Three Tales NONGENRE Atlantis: Three Tales COLLECTION
Before She Kills NONGENRE Before She Kills COLLECTION
Brand New Dead (crime genre short story) NONGENRE London Noir ANTHOLOGY
Brother Monster NONGENRE Brother Monster COLLECTION
By the Gun NONGENRE By the Gun COLLECTION
Christmas (Baby Please Come Home) (crime genre short story) NONGENRE London Noir ANTHOLOGY
Cormorants (crime genre short story) NONGENRE London Noir ANTHOLOGY
Edgewater People NONGENRE Edgewater People COLLECTION
Four Blind Mice NONGENRE Four Blind Mice COLLECTION
Full Moon Rising (crime genre short story) NONGENRE London Noir ANTHOLOGY
Gentleman Junkie and Other Stories of the Hung-Up Generation NONGENRE Gentleman Junkie and Other Stories of the Hung-Up Generation COLLECTION
Gentleman Junkie and Other Stories of the Hung-Up Generation NONGENRE Gentleman Junkie and Other Stories of the Hung-Up Generation COLLECTION
Gentleman Junkie and Other Stories of the Hung-Up Generation NONGENRE Gentleman Junkie and Other Stories of the Hung-Up Generation COLLECTION
Happy Ending NONGENRE Happy Ending COLLECTION
Haunts and By-Paths and Other Poems NONGENRE Haunts and By-Paths and Other Poems COLLECTION
Homicide Sanitarium NONGENRE Homicide Sanitarium COLLECTION
London Noir (crime genre anthology) NONGENRE London Noir ANTHOLOGY
Madman's Holiday NONGENRE Madman's Holiday COLLECTION
Mostly Murder NONGENRE Mostly Murder COLLECTION
Night Tales: Night Shield & Night Moves NONGENRE Night Tales: Night Shield & Night Moves OMNIBUS
Nightmare in Darkness NONGENRE Nightmare in Darkness COLLECTION
No Doors, No Windows NONGENRE No Doors, No Windows COLLECTION
No Doors, No Windows NONGENRE No Doors, No Windows COLLECTION
Now's The Time (crime genre short story) NONGENRE London Noir ANTHOLOGY
Of Mice, Men and Two Woman (crime genre short story) NONGENRE London Noir ANTHOLOGY
One Murder at a Time: The Casebook of Lindsey & Plum NONGENRE One Murder at a Time: The Casebook of Lindsey & Plum COLLECTION
Pardon my Goulish Laughter NONGENRE Pardon my Goulish Laughter COLLECTION
Perfect Casting (crime genre short story) NONGENRE London Noir ANTHOLOGY
Private Eye Action As You Like It NONGENRE Private Eye Action As You Like It COLLECTION
Reconstruction (crime genre short story) NONGENRE London Noir ANTHOLOGY
Red is the Hue of Hell NONGENRE Red is the Hue of Hell COLLECTION
Right Arm Man (crime genre short story) NONGENRE London Noir ANTHOLOGY
Scouting for Boys (crime genre short story) NONGENRE London Noir ANTHOLOGY
Selling Death Short NONGENRE Selling Death Short COLLECTION
Sex Life on the Planet Mars NONGENRE Sex Life on the Planet Mars COLLECTION
Silence and Other Stories NONGENRE Silence and Other Stories COLLECTION
Songs of Love and Empire NONGENRE Songs of Love and Empire COLLECTION
The Case of the Dancing Sandwiches NONGENRE The Case of the Dancing Sandwiches COLLECTION
The Deadly Streets NONGENRE The Deadly Streets COLLECTION
The Deadly Streets NONGENRE The Deadly Streets COLLECTION
The Deadly Streets NONGENRE The Deadly Streets COLLECTION
The Deadly Streets NONGENRE The Deadly Streets COLLECTION
The Freak Show Murders NONGENRE The Freak Show Murders COLLECTION
The Gibbering Night NONGENRE The Gibbering Night COLLECTION
The Juvies NONGENRE The Juvies COLLECTION
The Key Word and Other Mysteries NONGENRE The Key Word and Other Mysteries COLLECTION
The Look on Her Face (crime genre short story) NONGENRE London Noir ANTHOLOGY
The Mammoth Book of New Erotica (erotica genre anthology) NONGENRE The Mammoth Book of New Erotica ANTHOLOGY
The Pickled Punks NONGENRE The Pickled Punks COLLECTION
The Shaggy Dog and Other Murders NONGENRE The Shaggy Dog and Other Murders COLLECTION
The Union Club Mysteries NONGENRE The Union Club Mysteries COLLECTION
The Union Club Mysteries NONGENRE The Union Club Mysteries COLLECTION
The Union Club Mysteries NONGENRE The Union Club Mysteries COLLECTION
The Water-Walker NONGENRE The Water-Walker COLLECTION
Thirty Corpses Every Thursday NONGENRE Thirty Corpses Every Thursday COLLECTION
Three-Corpse Parlay NONGENRE Three-Corpse Parlay COLLECTION
Whispering Death NONGENRE Whispering Death COLLECTION
Who Was that Blonde I Saw You Kill Last Night? NONGENRE Who Was that Blonde I Saw You Kill Last Night? COLLECTION
Yesterday's Blood (working title) (crime genre anthology) NONGENRE Yesterday's Blood ANTHOLOGY
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