Difference between revisions of "ISFDB:Data Consistency/Editor Mismatches"
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{| border="1" cellpadding="2" style="border-collapse:collapse; text-align:left" | {| border="1" cellpadding="2" style="border-collapse:collapse; text-align:left" | ||
! Title | ! Title | ||
| Line 7: | Line 9: | ||
|- | |- | ||
| − | |[http://www.isfdb.org/cgi-bin/title.cgi? | + | |[http://www.isfdb.org/cgi-bin/title.cgi?980899 Art and the Artist's Role in Delany's Works] |
| + | |EDITOR | ||
| + | |[http://www.isfdb.org/cgi-bin/pl.cgi?283251 Voices for the Future: Volume Three] | ||
| + | |NONFICTION | ||
| + | | | ||
| + | |- | ||
| + | |[http://www.isfdb.org/cgi-bin/title.cgi?878633 Dark Carnival: A History] | ||
| + | |EDITOR | ||
| + | |[http://www.isfdb.org/cgi-bin/pl.cgi?262159 Dark Carnival] | ||
| + | |COLLECTION | ||
| + | | | ||
| + | |- | ||
| + | |[http://www.isfdb.org/cgi-bin/title.cgi?982624 Foreward] | ||
| + | |EDITOR | ||
| + | |[http://www.isfdb.org/cgi-bin/pl.cgi?283527 The World Treasury of Science Fiction] | ||
| + | |ANTHOLOGY | ||
| + | | | ||
| + | |- | ||
| + | |[http://www.isfdb.org/cgi-bin/title.cgi?965722 Real Futures?] | ||
|EDITOR | |EDITOR | ||
| − | |[http://www.isfdb.org/cgi-bin/pl.cgi? | + | |[http://www.isfdb.org/cgi-bin/pl.cgi?280552 Future Histories: Award-winning Science Fiction Writers Predict Twenty Tomorrows for Communications] |
|ANTHOLOGY | |ANTHOLOGY | ||
| − | | | + | | |
|} | |} | ||
Revision as of 23:23, 5 January 2010
2010-01-05:
| Title | Title Type | Publication | Publication Type | Fixed? |
|---|---|---|---|---|
| Art and the Artist's Role in Delany's Works | EDITOR | Voices for the Future: Volume Three | NONFICTION | |
| Dark Carnival: A History | EDITOR | Dark Carnival | COLLECTION | |
| Foreward | EDITOR | The World Treasury of Science Fiction | ANTHOLOGY | |
| Real Futures? | EDITOR | Future Histories: Award-winning Science Fiction Writers Predict Twenty Tomorrows for Communications | ANTHOLOGY |