Contents (view Concise Listing)

• 4 • Words from the Editor (Cemetery Dance #66) • [Editorial (Cemetery Dance)] • essay by Richard Chizmar
• 6 • Lines • short fiction by Bill Pronzini
• 6 •  Lines • interior artwork by Chris Odgers
• 10 • Stephen King News: From the Dead Zone (Cemetery Dance #66) • [From the Dead Zone] • essay by Bev Vincent
• 10 • Review of the play "Ghost Brothers of Darkland Country" • essay by Bev Vincent
• 10 •   Review: 11/22/63 by Stephen King • review by Bev Vincent
• 11 •   Review: The Wind Through the Keyhole by Stephen King • review by Bev Vincent
• 12 •   Review: Full Dark, No Stars by Stephen King • review by Bev Vincent
• 13 • Review of the TV series "Haven" • essay by Bev Vincent
• 13 •   Review: It by Stephen King • review by Bev Vincent
• 14 • Review of the story "Herman Wouk Is Still Alive" by Stephen King • essay by Bev Vincent
• 15 •   Review: The Wind Through the Keyhole by Stephen King • review by Bev Vincent
• 15 • Feature Review: The Wind Through the Keyhole by Stephen King • essay by Bev Vincent
• 18 • Scree • short fiction by Steve Rasnic Tem
• 18 •  Scree • interior artwork by Kirk Alberts
• 24 • Fine Points (Cemetery Dance #66) • [Fine Points] • essay by Ed Gorman
• 24 • Review of the film "The Seventh Victim" • essay by Ed Gorman
• 26 • The Last Ten Books I've Read (Cemetery Dance #66) • [The Last Ten Books I've Read] • essay by Ellen Datlow
• 26 •   Review: Blood Oath by Christopher Farnsworth • review by Ellen Datlow
• 26 •   Review: Dark Matter by Michelle Paver • review by Ellen Datlow
• 26 •   Review: The Diviner's Tale by Bradford Morrow • review by Ellen Datlow
• 26 •   Review: Napier's Bones by Derryl Murphy • review by Ellen Datlow
• 26 •   Review: The German by Lee Thomas • review by Ellen Datlow
• 26 •   Review: The Enterprise of Death by Jesse Bullington • review by Ellen Datlow
• 26 •   Review: The Silent Land by Graham Joyce • review by Ellen Datlow
• 26 • Review of nongenre Blonde on a Stick by Conrad Williams • essay by Ellen Datlow
• 27 • Review of the nonfiction work "Sleeping Beauty III, Memorial Photography: The Children" by Stanley Burns, M. D. • essay by Ellen Datlow
• 27 • Review of the nonfiction work "Shooting Soldiers: Civil War Medical Photography" by R. B. Bontecou • essay by Ellen Datlow
• 27 •   Review: The Taker by Alma Katsu • review by Ellen Datlow
• 28 • Making Strange: A Gothic Conversation with Terry Dowling, Australia's Premier Writer of the Imagination • interview of Terry Dowling • interview by Danel Olson
• 36 • Nightside Eye • short fiction by Terry Dowling
• 36 •  Nightside Eye • interior artwork by Will Renfro
• 44 • Editorial Perspectives: A View from the Other Side of the Desk: The More Things Change ... • essay by Don D'Auria
• 46 • And Your Point Is? or Why a Carnival Is Always Better Than a Circus • [The Mothers and Fathers Italian Association] • essay by Thomas F. Monteleone
• 47 • Review of the nongenre novel "The Tree of Codes" by Jonathan Safran Foer • essay by Thomas F. Monteleone
• 49 • Said the Joker to the Thief: The Edward Lee Interview • interview of Edward Lee • interview by Michael Lohr
• 54 • Inside • (2008) • short fiction by Jeremy C. Shipp
• 54 •  Inside • interior artwork by David Grilla
• 58 • The Gift of Reading • [Horror Drive-In] • essay by Mark Sieber
• 60 • The Vrykolakas and the Cobbler's Wife • short fiction by David Lee Summers
• 60 •  The Vrykolakas and the Cobbler's Wife • interior artwork by GAK
• 71 • An Interview with Jonathan Maberry • interview of Jonathan Maberry • interview by Nancy Greene
• 74 • MediaDrome (Cemetery Dance #66) • [MediaDrome] • essay by Michael Marano
• 74 • Review of the film "TrollHunter" • essay by Michael Marano
• 75 • Review of the film "X-Men: First Class" • essay by Michael Marano
• 75 • Review of the film "Thor" • essay by Michael Marano
• 76 • Review of the film "Super-8" • essay by Michael Marano
• 76 • Review of the film "I Saw the Devil" • essay by Michael Marano
• 77 • Review of the film "Hobo with a Shotgun" • essay by Michael Marano
• 79 • An Interview with Joseph Nassise • interview of Joseph Nassise • interview by Désirée I. Guzzetta
• 81 •   Review: Eyes to See by Joseph Nassise • review by Désirée I. Guzzetta
• 84 • Jimmy's Legacy • short fiction by Sophie Littlefield
• 84 •  Jimmy's Legacy • interior artwork by Michael Apice
• 92 • Spotlight on Publishing (Cemetery Dance #66) • [Spotlight on Publishing] • essay by Robert Morrish
• 93 •   Review: Yuppieville by Tony Richards • review by Robert Morrish
• 93 •   Review: This Way to Egress by Lawrence Connolly • review by Robert Morrish
• 93 •   Review: The Beautiful Red by James Cooper • review by Robert Morrish
• 94 •   Review: The Seven Days of Cain by Ramsey Campbell • review by Robert Morrish
• 94 •   Review: The Djinn by Graham Masterton • review by Robert Morrish
• 94 •   Review: Frenzy by Carole Johnstone • review by Robert Morrish
• 95 •   Review: He Stepped Through by Nate Southard • review by Robert Morrish
• 95 •   Review: The Book of Bunk by Glen Hirshberg • review by Robert Morrish
• 95 •   Review: What They Hear in the Dark by Gary McMahon • review by Robert Morrish
• 96 •   Review: Tesseracts Thirteen: Chilling Tales of the Great White North by Nancy Kilpatrick and David Morrell • review by Robert Morrish
• 96 •   Review: Tesseracts Fourteen: Strange Canadian Stories by John Robert Colombo and Brett Alexander Savory • review by Robert Morrish
• 96 • ChiZine Publications • interview of Sandra Kasturi and Brett Alexander Savory • interview by Robert Morrish
• 97 • ChiZine Press Titles • essay by Robert Morrish
• 99 •   Review: Thief of Broken Toys by Tim Lebbon • review by Robert Morrish
• 101 • Cemetery Dance Reviews (Cemetery Dance #66) • essay by various
• 101 •   Review: Blood Harvest by James A. Moore • review by T. T. Zuma [as by TT Zuma]
• 101 •   Review: Crooked Hills by Cullen Bunn • review by J. G. Faherty
• 102 •   Review: The Dark at the End by F. Paul Wilson • review by David Simms [as by Dave Simms]
• 102 •   Review: Descent by Sandy DeLuca • review by T. T. Zuma [as by TT Zuma]
• 103 •   Review: Fever Dream by Lincoln Child and Douglas Preston • review by T. T. Zuma [as by TT Zuma]
• 103 •   Review: The Five by Robert McCammon • review by David Simms [as by Dave Simms]
• 104 •   Review: Floating Staircase by Ronald Malfi • review by David Simms [as by Dave Simms]
• 104 •   Review: George A. Romero: Interviews by Tony Williams • review by Dan Reilly
• 105 •   Review: Gideon's Sword by Lincoln Child and Douglas Preston • review by David Simms [as by Dave Simms]
• 105 •   Review: Heart of Glass by David Winnick • review by Dan Reilly
• 105 •   Review: In Extremis by John Shirley • review by Brian M. Sammons [as by Brian Sammons]
• 106 • Review of the graphic novel "iZombi Vol. 1: Dead to the World" by Chris Roberson and Michael Allred • essay by Brian M. Sammons [as by Brian Sammons]
• 106 •   Review: Nine Frights by Jeffrey J. Mariotte • review by T. T. Zuma [as by TT Zuma]
• 107 •   Review: Nursery Rhymes 4 Dead Children by Lee Thompson • review by Dan Reilly
• 108 •   Review: The Official Zombie Handbook: Australia by L. Jon Keioskie • review by Brian M. Sammons [as by Brian Sammons]
• 108 •   Review: Playback: Light and Shadows by Elizabeth Massie • review by David Simms [as by Dave Simms]
• 108 •   Review: The Red Empire by Joe McKinney • review by Michael McCarty [as by Mike McCarty]
• 109 •   Review: Rotters by Daniel Kraus • review by Dan Reilly
• 109 •   Review: Rusting Chickens by Gene O'Neill • review by T. T. Zuma [as by TT Zuma]
• 110 •   Review: Southern Gods by John Hornor Jacobs • review by David Simms [as by Dave Simms]
• 110 •   Review: Supernatural Noir by Ellen Datlow • review by T. T. Zuma [as by TT Zuma]
• 111 •   Review: Vacation by Matthew Costello • review by David Simms [as by Dave Simms]
• 112 • What Was Your Worst Childhood Fear? • [The Final Question] • essay by Brian James Freeman