Contents (view Concise Listing)

• 5 • Words from the Editor (Cemetery Dance #63) • [Editorial (Cemetery Dance)] • essay by Richard Chizmar
• 6 • March of the Marionettes • short story by Al Sarrantonio
• 6 •  March of the Marionettes • interior artwork by Chad Savage
• 9 • Vines • poem by Al Sarrantonio
• 11 • A Conversation with Al Sarrantonio • interview of Al Sarrantonio • interview by Michael Lohr
• 15 • From the Dead Zone: Stephen King News (Cemetery Dance #63) • [From the Dead Zone] • essay by Bev Vincent
• 18 •   Review: Under the Dome by Stephen King • review by Bev Vincent
• 20 •  Torching the Escalade • interior artwork by Steven Gilberts [as by Steven C. Gilberts]
• 20 • Torching the Escalade • short story by Thomas Tessier
• 25 • Fine Points (Cemetery Dance #63) • [Fine Points] • essay by Ed Gorman
• 28 • Goblin Boy • short story by Rick Hautala
• 28 •  Goblin Boy • interior artwork by Shane Smith
• 33 • A Conversation with Ronald Kelly • interview of Ronald Kelly • interview by Shannon Riley
• 38 • Pelingrad's Pit • novelette by Ronald Kelly
• 38 •  Pelingrad's Pit • interior artwork by William Renfro
• 49 • The Mothers and Fathers Italian Association (Cemetery Dance #63) • [The Mothers and Fathers Italian Association] • essay by Thomas F. Monteleone
• 53 • MediaDrome (Cemetery Dance #63) • [MediaDrome] • essay by Michael Marano
• 58 • The Devil's Yo-Yo • short story by Elizabeth Massie
• 58 •  The Devil's Yo-Yo • interior artwork by Keith Minnion
• 64 • Editorial Perspectives (Cemetery Dance #63) • essay by Don D'Auria
• 66 • The Last 10 Books I've Read (Cemetery Dance #63) • [The Last Ten Books I've Read] • essay by Ellen Datlow
• 66 •   Review: The Graveyard Book by Neil Gaiman • review by Ellen Datlow
• 66 •   Review: The Domino Men by Jonathan Barnes • review by Ellen Datlow
• 66 •   Review: The Manual of Detection by Jedediah Berry • review by Ellen Datlow
• 66 •   Review: The Harlequin and the Train by Paul G. Tremblay • review by Ellen Datlow
• 66 •   Review: Handling the Undead by John Ajvide Lindqvist • review by Ellen Datlow
• 66 •   Review: The Little Sleep by Paul G. Tremblay • review by Ellen Datlow
• 67 •   Review: Last Days by Brian Evenson • review by Ellen Datlow
• 67 •   Review: Darling Jim by Christian Moerk • review by Ellen Datlow
• 67 • Review of the nongenre novel "The Mystic Arts of Erasing All Signs of Death" by Charlie Huston • essay by Ellen Datlow
• 68 • A Vampyrrhic Samhain • short story by Simon Clark
• 68 •  A Vampyrrhic Samhain • interior artwork by Michael Apice
• 74 • Spotlight on Publishing (Cemetery Dance #63) • [Spotlight on Publishing] • essay by Robert Morrish
• 82 • Memories • short story by Peter Crowther
• 82 •  Memories • interior artwork by Russell Dickerson
• 89 • Where Are They Now?: Ken Eulo • interview of Ken Eulo • interview by Robert Morrish
• 92 • Horror Drive-In (Cemetery Dance #63) • [Horror Drive-In] • essay by Mark Sieber
• 95 •   Review: An Evil Guest by Gene Wolfe • review by Wayne Edwards
• 95 •   Review: Around a Dark Corner by Jeani Rector • review by J. G. Faherty
• 96 •   Review: The Awakening by Kelley Armstrong • review by Wayne Edwards
• 96 •   Review: Bad Things by Michael Marshall • review by David Simms
• 96 •   Review: Benjamin's Parasite by Jeff Strand • review by T. T. Zuma
• 97 •   Review: Cover by Jack Ketchum • review by David Simms
• 98 •   Review: Damnable by Hank Schwaeble • review by David Simms
• 98 •   Review: Everdead by Rio Youers • review by Norman L. Rubenstein
• 99 •   Review: Feminine Wiles: 16 Tales of Wicked Women by John Grover • review by T. T. Zuma
• 99 •   Review: Isis by Douglas Clegg • review by Bev Vincent
• 100 •   Review: Nebula Awards Showcase 2009 by Ellen Datlow • review by Norman L. Rubenstein
• 100 •   Review: Sheep and Wolves by Jeremy C. Shipp • review by Norman L. Rubenstein
• 100 •   Review: The Shore by Robert Dunbar • review by T. T. Zuma
• 101 •   Review: The Sticks by Andy Deane • review by Norman L. Rubenstein
• 103 • The Final Question (Cemetery Dance #63) • [The Final Question] • essay by Brian James Freeman